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Piano Trio in C Major KV. 548 by Mozart was finished in July 1788, not long before the completion of “Jupiter” of Symphony รข,,-. 41, and also into the C major key. Is remarkable, that in the course of assorted months in the summer of 1788, only the year after death of his father, Mozart wrote his last three symphonies, by culmination his symphonic work! Mozart’s last three Piano trios were written simultaneously. It is burdened by the severe impairment of normal physiological function of his wife, which added to it is of financial stress, that the last piano trio were published in an try at the attraction of means to earn money. Trio comprises of three motions and begins, as is not Symphony No.41 with the pump that “requires attention,” that it is particular features of the work of chamber music for the stringed instrument. Music, which follows it seems predictable at first, but in the course of development section were proposed to glimpse into the soul of a musical genius. Modulation, on the decrease chromatic of lines and the magnificent selection of tool houses to formulate the magic of the textures, where the light and shadow, pain and pleasure are mixed up. The second part, Andante Of Cantabile in F major, flows spaciously in 3/4 times intermix from time to time speedily those being fluttering of passages. A sudden exclamation fort into unison disrupts the tone of complacency, and which it follows not expected harmonious and texture that as a result daring and pretty hauntingly. Third motion merry “hunting” to be disposed to dances 6/8 meters. In contrast to the symphony this is not contrapuntal in the structure. Arpeggio figure by main theme is passed by all three tools. In the hands of Mozart, the Piano trio outperforms the scope of Haydn’s model in the fact that the violoncello was given more attention. (Old style more it is similar on the keyboard of sonata from the violoncello the doubling of bass and violin, that embellish the right hand.) In Mozart’s later piano trios, it formulated new textures, including the institution of lines in comparison with the piano, all additions in interest and has formulated a dramatic nature pieces. Most helpful customer reviews 15 of 16 people found the following review helpful. 7 of 7 people found the following review helpful. First off, the pages are scripture-thin. I prefer a heavier page. More importantly, the editor often mixes the right and left hand cleffs. what I mean is, the editor places the right hand and left hand on the same cleff when it is convenient for him. I however, find this more difficult to sight read because you can’t tell where one hand’s chord ends and the others begins. It’s like the laziest kind of writing. Also the printing is not perfectly sharp (but it is acceptable). 6 of 6 people found the following review helpful. The type-setting is crystal-clear. The edition notes are instructive. The pages never fall out, even if you crease the spine to keep the book flat against the piano stand.
Then, of course, there’s the glorious music itself. So much magnificent music in one volume. Perhaps we should even see this as one of the Great Books of the Western World. |
Chopin’s Ballads, Impromptus, and Sonatas
Good collection, good price.